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Decolonising Dulwich Picture Gallery: revealing systemic racism in the history of England’s first purpose-built public art gallery through a ficto-critical encounter with its archive
This dissertation will use Dulwich Picture Gallery as a case study for exploring how art institutions can revaluate their own histories in light of the urgent contemporary issue of systemic racism. The history of the public life of Dulwich Picture Gallery will be presented through a site writing methodology (Rendell 2010). Utilising a fictocritical approach archival sources will be reanimated to subvert the history of one of Sir John Soane’s most famous surviving buildings

Shared with the World by Elangkathir Duhindan

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