This dissertation examines impacts of private sector involvement in public space delivery and management on publicness in Hong Kong through two case studies, namely The Avenue and The Avenue of Stars. Previous literature on Privately-owned public space (POPS) often criticize such involvement leads to negative outcomes. This dissertation reveals these outcomes may vary depending on various factors, including owner(s) of the POPS, type of the space, delivery mechanism of the space. Judgement on POPS may not be as absolute as what suggested by previous literature. Moreover, previous literature often focuses on Western context. This dissertation evaluates POPS in the non-Western world. It considers influences of unique Chinese culture and norms in POPS publicness evaluation, providing an alternative understanding of POPS apart from Western narratives.