This dissertation discusses the concept of privately owned public spaces (POPS) in urban planning, and explains how the narratives of POPS from the West could be ill-suited to the non-Western contexts. Looking into how different groups of actors understand/create meanings of POPS during a protest that has happened inside a shopping mall in Hong Kong, this dissertation gives a summary of both the discursive and visual findings. It analyses how alternative understandings could be created in the non-Western contexts, followed by some reflection on the wider West/non-West social context debate, as well as the analytical approach of future research.